Kagajin Amazon Restaurants Food delivery from local restaurants. Discover Prime Book Box for Kids. For twenty years, he drawingg a professor of art history at Pomona College in California. And how deserving they were of that pride! All the techniques and drawng are developed out of and for the object or person in view.
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It contains a set of almost two hundred masterful lithographs of subjects for copying by drawing students before they attempt drawing from life or nature.
Consequently it is a book that will interest artists, art students, art historians, and lovers and collectors of The Bargue-Gerome Drawing Course is a complete reprint of a famous, late nineteenth century drawing course. Consequently it is a book that will interest artists, art students, art historians, and lovers and collectors of drawings.
It also introduces us to the work and life of a hitherto neglected master: Charles Bargue. The Drawing Course consists of three sections. The first consists of plates drawn after casts, usually of antique examples. Different parts of the body are studied in order of difficulty, until full figures are presented. The second section pays homage to the western school of painting with lithographs after exemplary drawings by Renaissance and modern masters.
The third part contains almost sixty academies or drawings after nude male models, all original inventions by Bargue, the lithographer. With great care, the student is introduced to continually more difficult problems in the close observing and recording of nature.
Practiced professional artists will see at once the problems of representation that are approached by Bargue, and they will delight in his solutions. Figure painters will copy the plates to keep in tune; so to speak, much as pianists practice the exercises of Czerny before performing Beethoven. Art students will find it a practical and progressive introduction to realistic figure drawing. Art historians can learn by studying these drawings just what was prized in late 19th century figure painting.
They will recognize the reliance upon tradition by the use of antique sculptures as models in the first part: Antiquity is here used, not to impose a classical style, but as an aid in seeing the structure of the human body with clarity and intelligence. The result is a convergence of Classicism and Realism. There are no numerical proportional charts, perspective boxes or geometrical schemata to memorize.
All the techniques and schemata are developed out of and for the object or person in view. The drawings are splendid; beautiful; not simply products of assiduity, but of careful observation and the wish to transcribe and communicate the beauty of nature and light, as well as the manifold appearances of the human body. These are objectives that will touch and move any careful reader of drawings, and the figurative arts. Charles Bargue started his career as a lithographer of drawings by hack artists for a popular market in comic, sentimental and soft-porn subjects.
By working with Gerome, and in preparing the plates for the course, Bargue was transformed into a spectacular painter of single figures and intimate scenes; a master of precious details that always remain observation and never became self-conscious virtuosity, of color schemes that unified his composition in exquisite tonal harmonies.
The last part of the book is a biography of Bargue, along with a preliminary catalogue of his paintings, accompanied by reproductions of all that have been found and of many of those lost.
Charles Bargue Drawing Course (Cours De Dessin) Review
This review was originally written when I was on the first plate of the course. The review below is quite critical of some aspects of the book, partly as a result of the frustrationI was experiencing at the time. Graydon Parrish, one of the editors of the book, sent me a very nice email having read this review, and considering how critical I was, he was very polite. The book appears to have been a labour of love on the part of Graydon and his co-editor,Gerald Ackerman. Graydon says that neither of them have gained financially from the book, and I see no reason not to believe him. Having read his email, I do believe that the book was published with altruistic motives, and that getting it into print was no small task. I could have worded them somewhat better though, with hindsight.
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